Directors on directing: a source book of the modern theater |
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Page 392
We all crowded round him, sniffing the bacon, fighting to get a look, and
improvising lines— you know— like "Wish I was getting topped" . . . "Give us a bit"
. . . . "It's worth getting topped for this" . . . then a warder came out and stopped us.
We all crowded round him, sniffing the bacon, fighting to get a look, and
improvising lines— you know— like "Wish I was getting topped" . . . "Give us a bit"
. . . . "It's worth getting topped for this" . . . then a warder came out and stopped us.
Page 394
In Make Me an Offer one of the actors found he had difficulty saying a particular
line— he just couldn't make it sound right. And Joan turned round to Wolf
Mankowitz and said, "This actor is having difficulty." Wolf said, "Nonsense!" And
Joan ...
In Make Me an Offer one of the actors found he had difficulty saying a particular
line— he just couldn't make it sound right. And Joan turned round to Wolf
Mankowitz and said, "This actor is having difficulty." Wolf said, "Nonsense!" And
Joan ...
Page 407
It is impossible to perform Shakespeare with authority and conviction unless one
trusts to the pattern of the language to sustain the lines, building up to and down
from the climax of speech and scene. Many directors are too concerned with the ...
It is impossible to perform Shakespeare with authority and conviction unless one
trusts to the pattern of the language to sustain the lines, building up to and down
from the climax of speech and scene. Many directors are too concerned with the ...
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Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
Otto Brahm | 103 |
Copyright | |
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Common terms and phrases
acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics color contemporary Copeau costumes create creative decor demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus human idea imagination interpretation Joan Kattrin Kostilyoff light lines live look Luka matter MAYOR means method Meyerhold mise en scene modern theater Moliere Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize regisseur rehearsals Reinhardt rhythm role scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective Theatre Libre theatrical thing tion tradition truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words