Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 145
... look at Siegfried bathed in the moving lights and shadows ; we will not look at parts of the décor set in motion by backstage manipulation . Scenic illusion is the living presence of the actor . The setting for this act , as it is now ...
... look at Siegfried bathed in the moving lights and shadows ; we will not look at parts of the décor set in motion by backstage manipulation . Scenic illusion is the living presence of the actor . The setting for this act , as it is now ...
Page 291
... look . Pepel's fingers tighten their grip on the door . Both men breathe in rapid , loud gusts . Kostilyoff attempting to calm him- self and also out of fear of Pepel , begins to back away . Now he stands with his profile to the ...
... look . Pepel's fingers tighten their grip on the door . Both men breathe in rapid , loud gusts . Kostilyoff attempting to calm him- self and also out of fear of Pepel , begins to back away . Now he stands with his profile to the ...
Page 323
... look out . You'll get into trouble over that sometime or other . POSTMASTER : Eh ! The saints forbid ! MAYOR : It ... look on , while the Judge turns the puppy over on her back , puts its feet wide apart - and everybody looks , everyone ...
... look out . You'll get into trouble over that sometime or other . POSTMASTER : Eh ! The saints forbid ! MAYOR : It ... look on , while the Judge turns the puppy over on her back , puts its feet wide apart - and everybody looks , everyone ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Joan Kattrin Kostilyoff light lines living look Louis Jouvet Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realism realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words