Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 200
... matter if the one seems to be right and all the others wrong . Nothing is right unless the thing as a whole is right . A play is founded upon conflict ; the dramatist , to get the thing going at all , must bring his characters into ...
... matter if the one seems to be right and all the others wrong . Nothing is right unless the thing as a whole is right . A play is founded upon conflict ; the dramatist , to get the thing going at all , must bring his characters into ...
Page 223
... matter constantly wage war on each other ; whereas on the Elizabethan stage , with its minimum of material encumbrances , mind moves freely . In the first case , we are dealing with a bastardized convention , a compromise between ...
... matter constantly wage war on each other ; whereas on the Elizabethan stage , with its minimum of material encumbrances , mind moves freely . In the first case , we are dealing with a bastardized convention , a compromise between ...
Page 260
... matter and plot , from the descriptions of people , their interrelation- ships and their behavior ; but . . . these themes must be determined and defined long before one can fully grasp , to the last dot and com- ma , the entire content ...
... matter and plot , from the descriptions of people , their interrelation- ships and their behavior ; but . . . these themes must be determined and defined long before one can fully grasp , to the last dot and com- ma , the entire content ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Joan Kattrin Kostilyoff light lines living look Louis Jouvet Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realism realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words