Directors on directing: a source book of the modern theater |
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Page 200
For an isolated performance, of however great interest— if the rest of the acting is
sagging, vague, helpless, unattached, or perversely at cross purposes— must
distort the play's purpose. No matter if the one seems to be right and all the others
...
For an isolated performance, of however great interest— if the rest of the acting is
sagging, vague, helpless, unattached, or perversely at cross purposes— must
distort the play's purpose. No matter if the one seems to be right and all the others
...
Page 223
Some have asserted that the director possesses universal talents, ranging from
those of the actor to those of the creative writer, and including those of the painter
and composer. As a matter of fact, that is a portrait of the ideal director. But this ...
Some have asserted that the director possesses universal talents, ranging from
those of the actor to those of the creative writer, and including those of the painter
and composer. As a matter of fact, that is a portrait of the ideal director. But this ...
Page 260
no matter how good in itself, does not give us the right to think of the work written
on it as high artistry, and knowing that the theme also always demands a full
artistic treatment, many of us, for some reason, do not pause for long or very
deeply ...
no matter how good in itself, does not give us the right to think of the work written
on it as high artistry, and knowing that the theme also always demands a full
artistic treatment, many of us, for some reason, do not pause for long or very
deeply ...
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Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
Otto Brahm | 103 |
Copyright | |
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Common terms and phrases
acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics color contemporary Copeau costumes create creative decor demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus human idea imagination interpretation Joan Kattrin Kostilyoff light lines live look Luka matter MAYOR means method Meyerhold mise en scene modern theater Moliere Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize regisseur rehearsals Reinhardt rhythm role scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective Theatre Libre theatrical thing tion tradition truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words