Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 136
... never occur again . It is too late now for praising , coaxing , or cajoling . I go on the principle that the good things will take care of themselves , but that not a single flaw must be left undetected . The dress rehearsal ended , I ...
... never occur again . It is too late now for praising , coaxing , or cajoling . I go on the principle that the good things will take care of themselves , but that not a single flaw must be left undetected . The dress rehearsal ended , I ...
Page 201
... never at the same pace , never to the same measure . Wherefore the producer may discover that , to rally his team and to save them from a premature awareness of themselves and each other , it may be well once or twice to move from the ...
... never at the same pace , never to the same measure . Wherefore the producer may discover that , to rally his team and to save them from a premature awareness of themselves and each other , it may be well once or twice to move from the ...
Page 397
... never says to you : " You have got to do it like this . " She will let you experiment with complete freedom . And ... never had any difficulty with the scene again . He never would tell us what she said to him . Once a show is in ...
... never says to you : " You have got to do it like this . " She will let you experiment with complete freedom . And ... never had any difficulty with the scene again . He never would tell us what she said to him . Once a show is in ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Joan Kattrin Kostilyoff light lines living look Louis Jouvet Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realism realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words