Directors on directing: a source book of the modern theater |
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Page 136
But if indefensible mistakes occur— if, for instance, a character on leaving a
drawing room forgets his hat or stick or gloves— I am cruel enough in my
comments to make sure that the blunder will never occur again. It is too late now
for praising, ...
But if indefensible mistakes occur— if, for instance, a character on leaving a
drawing room forgets his hat or stick or gloves— I am cruel enough in my
comments to make sure that the blunder will never occur again. It is too late now
for praising, ...
Page 287
Vassilisa smiles a seductive and possessive smile. Pulls him by the sleeve
toward his room. Pepel, his elbows still on his knees, shakes off her arm with a
movement of his shoulders. But I never gave my heart to you . . . I've lived with
you and ...
Vassilisa smiles a seductive and possessive smile. Pulls him by the sleeve
toward his room. Pepel, his elbows still on his knees, shakes off her arm with a
movement of his shoulders. But I never gave my heart to you . . . I've lived with
you and ...
Page 397
She never says to you: "You have got to do it like this." She will let you
experiment with complete freedom. And she jvill be experimenting herself. If you
astonish her, she is sensible enough to know that you will astonish an audience
in the ...
She never says to you: "You have got to do it like this." She will let you
experiment with complete freedom. And she jvill be experimenting herself. If you
astonish her, she is sensible enough to know that you will astonish an audience
in the ...
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Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
Otto Brahm | 103 |
Copyright | |
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Common terms and phrases
acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics color contemporary Copeau costumes create creative decor demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus human idea imagination interpretation Joan Kattrin Kostilyoff light lines live look Luka matter MAYOR means method Meyerhold mise en scene modern theater Moliere Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize regisseur rehearsals Reinhardt rhythm role scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective Theatre Libre theatrical thing tion tradition truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words