Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 113
... objective and every- thing only serves to bring you to it . LITOVTZEVA : Then the path is from the minor objective to the super - objective ? • . • STANISLAVSKY : Every important objective commands your attention completely . You do not ...
... objective and every- thing only serves to bring you to it . LITOVTZEVA : Then the path is from the minor objective to the super - objective ? • . • STANISLAVSKY : Every important objective commands your attention completely . You do not ...
Page 115
... objective . If now you find an actor who adheres fast to the super - objective and follows through action all the subordinate objectives will be resolved subconsciously . LITOVTZEVA : It is not clear to me how each preliminary objective ...
... objective . If now you find an actor who adheres fast to the super - objective and follows through action all the subordinate objectives will be resolved subconsciously . LITOVTZEVA : It is not clear to me how each preliminary objective ...
Page 116
... objective ? It was swallowed up by the second . Let us go further . You have a powerful objective : " to sacrifice life for the ideal woman . " If your every sentence supports this objective you will realize how ridiculous it is to ...
... objective ? It was swallowed up by the second . Let us go further . You have a powerful objective : " to sacrifice life for the ideal woman . " If your every sentence supports this objective you will realize how ridiculous it is to ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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Common terms and phrases
acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Joan Kattrin Kostilyoff light lines living look Louis Jouvet Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realism realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words