Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 171
... orchestra can play without a conductor . Nikisch , for example , performs with an orchestra which he has conducted for many years with hardly a change in its person- nel . Some music the orchestra performs year after year . Could not ...
... orchestra can play without a conductor . Nikisch , for example , performs with an orchestra which he has conducted for many years with hardly a change in its person- nel . Some music the orchestra performs year after year . Could not ...
Page 172
... orchestra without a conductor is possible ; but it is not possible to draw a parallel between an orchestra without a conductor and a theater in which the actors perform on stage com- pletely without a director . A symphony orchestra ...
... orchestra without a conductor is possible ; but it is not possible to draw a parallel between an orchestra without a conductor and a theater in which the actors perform on stage com- pletely without a director . A symphony orchestra ...
Page 189
... orchestra was successful in find- ing the bridegroom , otherwise it would appear as if the orchestra just left and then came back . That is why I inserted a scene of two girls watching the orchestra and performing all kinds of stunts in ...
... orchestra was successful in find- ing the bridegroom , otherwise it would appear as if the orchestra just left and then came back . That is why I inserted a scene of two girls watching the orchestra and performing all kinds of stunts in ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Joan Kattrin Kostilyoff light lines living look Louis Jouvet Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realism realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words