Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 82
... painted in perspective . It is of course impossible to be free of all error , since every time a live actor - whose physical proportions are unchanging - takes a step backward , he appears proportionately big- ger with respect to the ...
... painted in perspective . It is of course impossible to be free of all error , since every time a live actor - whose physical proportions are unchanging - takes a step backward , he appears proportionately big- ger with respect to the ...
Page 83
... painted pieces of scenery ( pillars and the like ) . If they move about freely , they cannot help touching the painted piece , thus causing it to shake and destroying the stage illusion ; if they move about very carefully so as not to ...
... painted pieces of scenery ( pillars and the like ) . If they move about freely , they cannot help touching the painted piece , thus causing it to shake and destroying the stage illusion ; if they move about very carefully so as not to ...
Page 97
... painted beds , tables , and fireplaces in perspective ; but , yielding to the insistent desire for real - life ... painted props has also been successfully solved . Today , an object painted on a flat disturbs and distracts the eye of ...
... painted beds , tables , and fireplaces in perspective ; but , yielding to the insistent desire for real - life ... painted props has also been successfully solved . Today , an object painted on a flat disturbs and distracts the eye of ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Joan Kattrin Kostilyoff light lines living look Louis Jouvet Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realism realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words