Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 272
... playwright who proposes to direct his own play . If I cited exam- ples of playwrights who had ruined their plays by directing them , I should find myself in the awkward position of also having to list the playwrights who have done very ...
... playwright who proposes to direct his own play . If I cited exam- ples of playwrights who had ruined their plays by directing them , I should find myself in the awkward position of also having to list the playwrights who have done very ...
Page 276
... playwright's instructions as a clue to something the playwright is seeking to ex- press . They often find that to express most effectively what the play- wright had in view they have to employ quite different means than those which the ...
... playwright's instructions as a clue to something the playwright is seeking to ex- press . They often find that to express most effectively what the play- wright had in view they have to employ quite different means than those which the ...
Page 277
... playwright can never get the characters he imag- ined : he gets actors who are always themselves transfigured into stage images which the playwright may feel correspond to a reality he was seeking . How often have we heard a playwright ...
... playwright can never get the characters he imag- ined : he gets actors who are always themselves transfigured into stage images which the playwright may feel correspond to a reality he was seeking . How often have we heard a playwright ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Joan Kattrin Kostilyoff light lines living look Louis Jouvet Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realism realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words