Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 161
... realized . The Art of the Theater , as I have already told you , is divided up into so many crafts : acting , scene , costume , lighting , carpentering , singing , dancing , etc. , that it must be realized at the commencement that ...
... realized . The Art of the Theater , as I have already told you , is divided up into so many crafts : acting , scene , costume , lighting , carpentering , singing , dancing , etc. , that it must be realized at the commencement that ...
Page 169
... realize how Chekhov changed from subtle realism to mys- tic lyricism . Once the Moscow Theater had decided how to ... realizing the ideals of the Stylized Theater , it seems to me not out of place to describe the method of work employed ...
... realize how Chekhov changed from subtle realism to mys- tic lyricism . Once the Moscow Theater had decided how to ... realizing the ideals of the Stylized Theater , it seems to me not out of place to describe the method of work employed ...
Page 207
... realizing just how it was done . I want the actors to be unconscious of my supervision . I want whatever direction they ... realize that anything in particular has been done . The first step in unselfishness must be taken by me Capturing ...
... realizing just how it was done . I want the actors to be unconscious of my supervision . I want whatever direction they ... realize that anything in particular has been done . The first step in unselfishness must be taken by me Capturing ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Joan Kattrin Kostilyoff light lines living look Louis Jouvet Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realism realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words