Directors on directing: a source book of the modern theater |
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Page 161
But the very first thing to be realized is that little or no result can come from the
reforming of a single craft of the theater without at the same time, in the same
theater, reforming all the other crafts. The whole Renaissance of the Art of the
Theater ...
But the very first thing to be realized is that little or no result can come from the
reforming of a single craft of the theater without at the same time, in the same
theater, reforming all the other crafts. The whole Renaissance of the Art of the
Theater ...
Page 169
created atmosphere with external devices such as darkness, sounds,
accessories, and characters, and soon lost his sense of direction because he did
not realize how Chekhov changed from subtle realism to mystic lyricism. Once
the Moscow ...
created atmosphere with external devices such as darkness, sounds,
accessories, and characters, and soon lost his sense of direction because he did
not realize how Chekhov changed from subtle realism to mystic lyricism. Once
the Moscow ...
Page 207
It is always my aim to get a play completely prepared without anyone realizing
just how it was done. I want the actors to be unconscious of my supervision. I
want whatever direction they require to come to them without their realization.
It is always my aim to get a play completely prepared without anyone realizing
just how it was done. I want the actors to be unconscious of my supervision. I
want whatever direction they require to come to them without their realization.
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Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
Otto Brahm | 103 |
Copyright | |
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Common terms and phrases
acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics color contemporary Copeau costumes create creative decor demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus human idea imagination interpretation Joan Kattrin Kostilyoff light lines live look Luka matter MAYOR means method Meyerhold mise en scene modern theater Moliere Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize regisseur rehearsals Reinhardt rhythm role scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective Theatre Libre theatrical thing tion tradition truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words
Bibliographic information
| Title | Directors on directing: a source book of the modern theater |
| Authors | Toby Cole, Helen Krich Chinoy |
| Editors | Toby Cole, Helen Krich Chinoy |
| Contributors | Toby Cole, Helen Krich Chinoy |
| Edition | revised |
| Publisher | Bobbs-Merrill, 1963 |
| Length | 464 pages |
| Subjects | › › Drama / General Performing Arts / General Performing Arts / Theater / Direction & Production Performing Arts / Theater / General |
| Export Citation | BiBTeX EndNote RefMan |