Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 195
... remember the words everything else will be lost . You must remember that at this stage the actor , being under a heavy strain , is fearfully irritable . But after another week the words will come automatically ; and the play will get ...
... remember the words everything else will be lost . You must remember that at this stage the actor , being under a heavy strain , is fearfully irritable . But after another week the words will come automatically ; and the play will get ...
Page 197
... Remember that no strangers should be present at a rehearsal . It is sometimes expedient that strangers , and even journalists , be invited to witness a so - called rehearsal ; and on such occasions a pre - arranged interruption by the ...
... Remember that no strangers should be present at a rehearsal . It is sometimes expedient that strangers , and even journalists , be invited to witness a so - called rehearsal ; and on such occasions a pre - arranged interruption by the ...
Page 436
... remember that almost all Shakespeare's characters are very intelligent , and that even his stupid clowns have an innate love of language and word - play , then it follows that in these crisp , clean , and sometimes harsh and primitive ...
... remember that almost all Shakespeare's characters are very intelligent , and that even his stupid clowns have an innate love of language and word - play , then it follows that in these crisp , clean , and sometimes harsh and primitive ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Joan Kattrin Kostilyoff light lines living look Louis Jouvet Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realism realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words