Directors on directing: a source book of the modern theater |
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Page 118
LITOVTZEVA: Did you give them the mise en scene? STANISLAVSKY: The worst
mise en scene is the one given by the director. I watched them standing with their
back to me doing something. 1 heard everything and understood everything.
LITOVTZEVA: Did you give them the mise en scene? STANISLAVSKY: The worst
mise en scene is the one given by the director. I watched them standing with their
back to me doing something. 1 heard everything and understood everything.
Page 249
Supposing two of us are playing a scene, and one has decided that the scene
must be played lightly and forcibly, and the other person takes a different view of
the scene and feels that it must be managed in a very dark and very black way
with ...
Supposing two of us are playing a scene, and one has decided that the scene
must be played lightly and forcibly, and the other person takes a different view of
the scene and feels that it must be managed in a very dark and very black way
with ...
Page 351
1910) Mise en Scene of Phaedra, Act n, Scene v In Reflections on the Theatre,
Jean-Louis Barrault writes about Phaedra: "A classic is like a hidden treasure. Its
core is buried under so many layers of varnish, so many polishings, that it can be
...
1910) Mise en Scene of Phaedra, Act n, Scene v In Reflections on the Theatre,
Jean-Louis Barrault writes about Phaedra: "A classic is like a hidden treasure. Its
core is buried under so many layers of varnish, so many polishings, that it can be
...
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Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
Otto Brahm | 103 |
Copyright | |
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Common terms and phrases
acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics color contemporary Copeau costumes create creative decor demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus human idea imagination interpretation Joan Kattrin Kostilyoff light lines live look Luka matter MAYOR means method Meyerhold mise en scene modern theater Moliere Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize regisseur rehearsals Reinhardt rhythm role scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective Theatre Libre theatrical thing tion tradition truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words