Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 41
... scenic production in order to cre- ate an artistic synthesis , reanimate everything under his control at the expense of the actor , who must eventually be dominated . What- ever he does will to a great extent depend upon his individual ...
... scenic production in order to cre- ate an artistic synthesis , reanimate everything under his control at the expense of the actor , who must eventually be dominated . What- ever he does will to a great extent depend upon his individual ...
Page 126
... scenic artist proceeds to make a drawing of the scenes , following my crude sketches , and thus we reach a definite starting point . In due course of time — it may be a week or a month - the scenic artist will have constructed the ...
... scenic artist proceeds to make a drawing of the scenes , following my crude sketches , and thus we reach a definite starting point . In due course of time — it may be a week or a month - the scenic artist will have constructed the ...
Page 137
... scenic artists and electrical experts . And if the theater in this country now is in a state of decline , it is because too much attention is being paid to stage decoration , important as it is when held in its proper place , and too ...
... scenic artists and electrical experts . And if the theater in this country now is in a state of decline , it is because too much attention is being paid to stage decoration , important as it is when held in its proper place , and too ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Joan Kattrin Kostilyoff light lines living look Louis Jouvet Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realism realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words