Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 216
... speech by speech , down to the slightest details . As he devises the action he is going to propose to his actors - their places , their distances from one another , the movements 216 Jacques Copeau.
... speech by speech , down to the slightest details . As he devises the action he is going to propose to his actors - their places , their distances from one another , the movements 216 Jacques Copeau.
Page 276
... speech be said " angrily " or " with a sob " or in a " high querulous treble . " He will frequently find that if his directions are followed literally , the results will be ludicrous . The actor and director generally take the ...
... speech be said " angrily " or " with a sob " or in a " high querulous treble . " He will frequently find that if his directions are followed literally , the results will be ludicrous . The actor and director generally take the ...
Page 394
... speech on justice in The Thrie Estaits , where one of the soldiers intermittently and inescapably scratched his bottom . Very funny , but this is an important speech , and it became impossible to listen to it . When faced with a similar ...
... speech on justice in The Thrie Estaits , where one of the soldiers intermittently and inescapably scratched his bottom . Very funny , but this is an important speech , and it became impossible to listen to it . When faced with a similar ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Joan Kattrin Kostilyoff light lines living look Louis Jouvet Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realism realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words