Directors on directing: a source book of the modern theater |
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Page 105
Dramatic art can only be modern— whether it presents Shakespeare or Schiller,
Sophocles or Kleist. Today the realistic style is valid for all; only within this style
can the nuances between previous periods and our own be skillfully brought out.
Dramatic art can only be modern— whether it presents Shakespeare or Schiller,
Sophocles or Kleist. Today the realistic style is valid for all; only within this style
can the nuances between previous periods and our own be skillfully brought out.
Page 107
a source book of the modern theater Toby Cole, Helen Krich Chinoy. The
powerful realistic coloring of the production reinforces this impression. And we
offer still another simple observation in support of our frankly modern style of
presentation.
a source book of the modern theater Toby Cole, Helen Krich Chinoy. The
powerful realistic coloring of the production reinforces this impression. And we
offer still another simple observation in support of our frankly modern style of
presentation.
Page 350
WINDS: In your stage directions for Mother Courage you also make mention of
the Epic Theater or the Epic style of presentation. May I ask you to enlighten me
briefly on this? Doubtlessly not only stage artists but the whole public interested
in ...
WINDS: In your stage directions for Mother Courage you also make mention of
the Epic Theater or the Epic style of presentation. May I ask you to enlighten me
briefly on this? Doubtlessly not only stage artists but the whole public interested
in ...
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Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
Otto Brahm | 103 |
Copyright | |
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Common terms and phrases
acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics color contemporary Copeau costumes create creative decor demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus human idea imagination interpretation Joan Kattrin Kostilyoff light lines live look Luka matter MAYOR means method Meyerhold mise en scene modern theater Moliere Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realistic realize regisseur rehearsals Reinhardt rhythm role scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective Theatre Libre theatrical thing tion tradition truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words