Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 36
... technique , illustrated in the following statement in David Magarshack's biog- raphy , which discusses in some detail changes in Stanislavsky's methods : " Before , a producer planned his mises en scène and the nature of the inner ...
... technique , illustrated in the following statement in David Magarshack's biog- raphy , which discusses in some detail changes in Stanislavsky's methods : " Before , a producer planned his mises en scène and the nature of the inner ...
Page 170
... technique ; a painter can begin a picture only after technique has been mastered . Not only the director but all those listening made suggestions . This work was aimed at finding how the author " sounded " best . When in this collective ...
... technique ; a painter can begin a picture only after technique has been mastered . Not only the director but all those listening made suggestions . This work was aimed at finding how the author " sounded " best . When in this collective ...
Page 252
... technique . It is the case that as one gets older one's technique , if one is an industrious and intelligent person , tends to become better ; but there is also the danger that it becomes a little slick . I think not only artists , but ...
... technique . It is the case that as one gets older one's technique , if one is an industrious and intelligent person , tends to become better ; but there is also the danger that it becomes a little slick . I think not only artists , but ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Joan Kattrin Kostilyoff light lines living look Louis Jouvet Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realism realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words