Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 48
... unity of doctrine , unity of direction , unity of teaching , based in part on music and in part on the old rhythms and forms of the antique theater . To Copeau such research was more important than successful production . He therefore ...
... unity of doctrine , unity of direction , unity of teaching , based in part on music and in part on the old rhythms and forms of the antique theater . To Copeau such research was more important than successful production . He therefore ...
Page 219
... unity in diversity and diversity in unity , the freedom compatible with order . " Without discussing the question of the ever - present pressures of the commercial theater , the number of rehearsals depends on the length and difficulty ...
... unity in diversity and diversity in unity , the freedom compatible with order . " Without discussing the question of the ever - present pressures of the commercial theater , the number of rehearsals depends on the length and difficulty ...
Page 224
... unity in simplicity . But an increasing complexity in the means of realization will bring about a division of labor . The unity thus lost will be found again only in exceptional cases . In principle there is no reason why a first - rate ...
... unity in simplicity . But an increasing complexity in the means of realization will bring about a division of labor . The unity thus lost will be found again only in exceptional cases . In principle there is no reason why a first - rate ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Joan Kattrin Kostilyoff light lines living look Louis Jouvet Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realism realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words