Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 163
... VOICE . Is it not very simple ? And when I say action , I mean both gesture and dancing , the prose and poetry of action . When I say scene , I mean all which comes before the eye , such as the lighting , costume , as well as the ...
... VOICE . Is it not very simple ? And when I say action , I mean both gesture and dancing , the prose and poetry of action . When I say scene , I mean all which comes before the eye , such as the lighting , costume , as well as the ...
Page 237
... voice . The demonstration will show whether the voice is an old man's or a woman's or at least whether it is high or low : and so the question is settled . The answer might , however , depend on whether the voice was that of an educated ...
... voice . The demonstration will show whether the voice is an old man's or a woman's or at least whether it is high or low : and so the question is settled . The answer might , however , depend on whether the voice was that of an educated ...
Page 354
... voice is in her throat . All her blood literally races at the charm of Hippolytus ' voice . The " Ah " she utters is a cry of suffering . She leans more and more on Oenone , who stands there stolidly like an executioner's stake ...
... voice is in her throat . All her blood literally races at the charm of Hippolytus ' voice . The " Ah " she utters is a cry of suffering . She leans more and more on Oenone , who stands there stolidly like an executioner's stake ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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Common terms and phrases
acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Joan Kattrin Kostilyoff light lines living look Louis Jouvet Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realism realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words