Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 193
... week will do all that for you . She will utter your twaddle with such an air , and look such unutterable things between the lines , and dress so beautifully and move so enigmatically and enchantingly , that the imagination of the ...
... week will do all that for you . She will utter your twaddle with such an air , and look such unutterable things between the lines , and dress so beautifully and move so enigmatically and enchantingly , that the imagination of the ...
Page 195
... week as far as the long parts are concerned , because in the first agony of trying to remember the words everything else will be lost . You must remember that at this stage the actor , being under a heavy strain , is fearfully irritable ...
... week as far as the long parts are concerned , because in the first agony of trying to remember the words everything else will be lost . You must remember that at this stage the actor , being under a heavy strain , is fearfully irritable ...
Page 415
... week , in a repertory of five Shakespearean plays of widely varying mood produced in diverse styles by the same company under several different directors . In New York , at the National Theater on 41st Street , Louis Calhern played Lear ...
... week , in a repertory of five Shakespearean plays of widely varying mood produced in diverse styles by the same company under several different directors . In New York , at the National Theater on 41st Street , Louis Calhern played Lear ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Joan Kattrin Kostilyoff light lines living look Louis Jouvet Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realism realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words