Directors on Directing: A Source Book of the Modern Theater, Volume 10Toby Cole, Helen Krich Chinoy |
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Page 111
... words when they have to act ... with words . At first they can act only with thoughts . And when I see that they understand these thoughts and that they also grasp the inner logic and sequence of these thoughts , I say : " Now take the ...
... words when they have to act ... with words . At first they can act only with thoughts . And when I see that they understand these thoughts and that they also grasp the inner logic and sequence of these thoughts , I say : " Now take the ...
Page 174
... words , absolutely free from any vibration ( tremolo ) or weeping . Complete absence of tension or gloom . 2. The sound must always have support , and the words must fall like drops in a deep well ; the clear impact of the drops is ...
... words , absolutely free from any vibration ( tremolo ) or weeping . Complete absence of tension or gloom . 2. The sound must always have support , and the words must fall like drops in a deep well ; the clear impact of the drops is ...
Page 176
... words . What does plasticity aside from words mean ? Two men are holding a conversation about the weather , about art , or about apartments . A third bystander observing them , if he is more or less sensitive , can decide quite ...
... words . What does plasticity aside from words mean ? Two men are holding a conversation about the weather , about art , or about apartments . A third bystander observing them , if he is more or less sensitive , can decide quite ...
Contents
Helen Krich Chinoy | 3 |
George II Duke of SaxeMeiningen | 81 |
André Antoine | 89 |
Copyright | |
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acting action actor Antoine artistic atmosphere audience become begins Blanche Brecht character Chekhov classics Clurman color contemporary Copeau costumes create creative demonstration direction director door dramatic dramatist Dreissiger Duke of Saxe-Meiningen effect emotions Epic Theater everything experience expression fantastic realism feel Frankie gestures give Harold Clurman Hippolytus idea imagination interpretation Joan Kattrin Kostilyoff light lines living look Louis Jouvet Luka MAYOR means method Meyerhold mise en scène modern theater Molière Moscow Art Theater move movement naturalistic nature never Nikolai Okhlopkov Oenone orchestra painted peasant Pepel performance Phaedra play PLAYGOER playwright production realism realize régisseur rehearsals Reinhardt rhythm role scene scenery scenic script Shakespeare speak spectator stage STAGE-DIRECTOR stand Stanislavsky Stanley Stella style super-objective theatrical thing tion truth Tyrone Guthrie VAKHTANGOV Vassilisa voice Vsevolod Meyerhold whole words