The Gentleman's Magazine, Volume 253Bradbury, Evans, 1882 - Books and bookselling |
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Page 60
There can be no doubt that the author of the Wartburgkrieg was well acquainted
with the career of Walther von der Vogelweide . With the “ Worthy Notary ” we
return to the regions of uncertainty and conjecture . In the poem he appears as “
der ...
There can be no doubt that the author of the Wartburgkrieg was well acquainted
with the career of Walther von der Vogelweide . With the “ Worthy Notary ” we
return to the regions of uncertainty and conjecture . In the poem he appears as “
der ...
Page 61
Rudolf von Ems , in his Alexandreis , refers to another poem on the same subject
by a poet whom he called Biterolf . ... Amongst the poets who flourished at the
end of the twelfth and at the beginning of the thirteenth century we find two of the
...
Rudolf von Ems , in his Alexandreis , refers to another poem on the same subject
by a poet whom he called Biterolf . ... Amongst the poets who flourished at the
end of the twelfth and at the beginning of the thirteenth century we find two of the
...
Page 62
In the “ Parcival , " it is true , Klinschor appears only as a magician , whilst at
Eisenach he is a poet as well . Further , though the sorcerer whose spells Gawein
breaks is represented as an Italian , in the later poem he is announced as a ...
In the “ Parcival , " it is true , Klinschor appears only as a magician , whilst at
Eisenach he is a poet as well . Further , though the sorcerer whose spells Gawein
breaks is represented as an Italian , in the later poem he is announced as a ...
Page 66
The adventures of the ambitious cat to which the poet here makes a passing
allusion , are more fully related by two old poets , Stricker and Herrand von
Vildonie . The sunit may be well to remember that in German “ die Sonne " is of
the softer ...
The adventures of the ambitious cat to which the poet here makes a passing
allusion , are more fully related by two old poets , Stricker and Herrand von
Vildonie . The sunit may be well to remember that in German “ die Sonne " is of
the softer ...
Page 68
The poem does not state what length of time Ofterdingen was to be allowed for
his journey to Hungary and back . Neither does it make any mention of the events
which are supposed to take place between the two parts . The Chronicles are ...
The poem does not state what length of time Ofterdingen was to be allowed for
his journey to Hungary and back . Neither does it make any mention of the events
which are supposed to take place between the two parts . The Chronicles are ...
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Popular passages
Page 235 - So that if the invention of the ship was thought so noble, which carrieth riches and commodities from place to place, and consociateth the most remote regions in participation of their fruits, how much more are letters to be magnified, which as ships pass through the vast seas of time, and make ages so distant to participate of the wisdom, illuminations, and inventions, the one of the other?
Page 420 - The City's voice itself is soft like Solitude's. I see the Deep's untrampled floor With green and purple seaweeds strown; I see the waves upon the shore, Like light dissolved in star-showers, thrown : I sit upon the sands alone, The lightning of the noontide ocean Is...
Page 122 - With lust and violence the house of God? In courts and palaces he also reigns, And in luxurious cities, where the noise Of riot ascends above their loftiest towers, And injury, and outrage: And when night Darkens the streets, then wander forth the sons Of Belial, flown with insolence and wine.
Page 325 - ART thou the bird whom Man loves best, The pious bird with the scarlet breast, Our little English Robin ; The bird that comes about our doors When Autumn winds are sobbing...
Page 591 - That fill the haunted chambers of the Night, Like some old poet's rhymes. From the cool cisterns of the midnight air, My spirit drank repose; The fountain of perpetual peace flows there, — From those deep cisterns flows.
Page 604 - All things had put their evil nature off: I cannot tell my joy, when o'er a lake Upon a drooping bough with nightshade twined, I saw two azure halcyons clinging downward And thinning one bright bunch of amber berries...
Page 700 - ACT V. SCENE I.— Mantua. A Street. Enter ROMEO. Rom. If I may trust the flattering eye of sleep, My dreams presage some joyful news at hand : My bosom's lord sits lightly in his throne; And, all this day, an unaccustom'd spirit Lifts me above the ground with cheerful thoughts.
Page 612 - Why sleep'st thou, Eve? now is the pleasant time, The cool, the silent, save where silence yields To the night-warbling bird, that now awake Tunes sweetest his love-labour'd song, now reigns Full orb'd the moon, and with more pleasing light Shadowy sets off the face of things, in vain, If none regard; heaven wakes with all his eyes, Whom to behold but thee, nature's desire?
Page 592 - Joyous as morning Thou art laughing and scorning; Thou hast a nest for thy love and thy rest, And, though little troubled with sloth, Drunken Lark! thou would'st be loth To be such a traveller as I. Happy, happy Liver, With a soul as strong as a mountain river Pouring out praise to the Almighty Giver, Joy and jollity be with us both!
Page 419 - But cawing rooks, and kites that swim sublime In still repeated circles, screaming loud, The jay, the pie, and e'en the boding owl, That hails the rising moon, have charms for me. Sounds inharmonious in themselves and harsh, Yet heard in scenes where peace for ever reigns, And only there, please highly for their sake.