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ENGLISH SCENERY.

While far beyond, and overthwart the stream,
That, as with molten glass, inlays the vale,
The sloping land recedes into the clouds;
Displaying on its varied side the grace

Of hedge-row beauties numberless, square tower,
Tall spire, from which the sound of cheerful bells
Just undulates upon the listening ear,

Groves, heaths, and smoking villages, remote.
Scenes must be beautiful which, daily viewed,
Please daily, and whose novelty survives
Long knowledge and the scrutiny of years.
Praise justly due to those that I describe.

Nor rural sights alone, but rural sounds,
Exhilarate the spirit, and restore
The tone of languid Nature. Mighty winds,
That sweep the skirt of some far-spreading wood
Of ancient growth, make music not unlike
The dash of Ocean on his winding shore,
And lull the spirit while they fill the mind;
Unnumbered branches waving in the blast,
And all their leaves fast fluttering, all at once.
Nor less composure waits upon the roar
Of distant floods, or on the softer voice

Of neighboring fountain, or of rills that slip

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ENGLISH SCENERY.

Through the cleft rock, and chiming as they fall
Upon loose pebbles, lose themselves at length
In matted grass, that with a livelier green.
Betrays the secret of their silent course.
Nature inanimate employs sweet sounds,
But animated nature sweeter still,

To soothe and satisfy the human ear.

Ten thousand warblers cheer the day, and one
The livelong night: nor these alone, whose notes
Nice-fingered art must emulate in vain,

But cawing rooks, and kites that swim sublime
In still repeated circles, screaming loud,
The jay, the pie, and e'en the boding owl,
That hails the rising moon, have charms for me.
Sounds inharmonious in themselves and harsh,
Yet heard in scenes where peace forever reigns,
And only there, please highly for their sake.

Peace to the artist, whose ingenious thought
Devised the weatherhouse, that useful toy!
Fearless of humid air and gathering rains,
Forth steps the man-an emblem of myself!
More delicate, his timorous mate retires.
When Winter soaks the fields, and female feet,
Too weak to struggle with tenacious clay,

ENGLISH SCENERY.

Or ford the rivulets, are best at home,

The task of new discoveries falls on me.

At such a season, and with such a charge,

Once went I forth; and found, till then unknown, A cottage, whither oft we since repair :

'Tis perched upon the green hill top, but close
Environed with a ring of branching elms,

That overhang the thatch, itself unseen
Peeps at the vale below; so thick beset

With foliage of such dark redundant growth,

I called the low-roofed lodge the Peasant's Nest.
And, hidden as it is, and far remote

From such unpleasing sounds as haunt the ear
In village or in town, the bay of curs
Incessant, clinking hammers, grinding wheels,
And infants clamorous, whether pleased or pained,
Oft have I wished the peaceful covert mine.
Here, I have said, at least I should possess
The poet's treasure, silence, and indulge
The dreams of fancy, tranquil and secure.
Vain thought! the dweller in that still retreat
Dearly obtains the refuge it affords.

Its elevated site forbids the wretch

To drink sweet waters of the crystal well;

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ENGLISH SCENERY.

He dips his bowl into the weedy ditch,

And, heavy laden, brings his beverage home,
Far fetched and little worth; nor seldom waits,
Dependent on the baker's punctual call,

To hear his creaking panniers at the door,
Angry and sad, and his last crust consumed.
So farewell envy of the Peasant's Nest!
If solitude make scant the means of life,
Society for me!—thou seeming sweet,
Be still a pleasing object in my view;
My visit still, but never mine abode.

Not distant far, a length of colonnade
Invites us.
Monument of ancient taste,

Now scorned, but worthy of a better fate.
Our fathers knew the value of a screen
From sultry suns; and in their shaded walks
And long-protracted bowers, enjoyed at noon
The gloom and coolness of declining day.
We bear our shades about us; self-deprived
Of other screen, the thin umbrella spread,
And range an Indian waste without a tree.
Thanks to Benevolus1-he spares me yet
These chestnuts ranged in corresponding lines;
And, though himself so polished, still reprieves

1 John Courtney Throckmorton, Esq., of Weston Underwood.

ENGLISH SCENERY.

The obsolete prolixity of shade.

Descending now (but cautious, lest too fast)

A sudden steep upon a rustic bridge,
We pass a gulf, in which the willows dip
Their pendent boughs, stooping as if to drink.
Hence, ankle-deep in moss and flowery thyme,
We mount again, and feel at every step
Our foot half sunk in hillocks green and soft,
Raised by the mole, the miner of the soil.
He, not unlike the great ones of mankind,
Disfigures earth: and, plotting in the dark,
Toils much to earn a monumental pile,

That may record the mischiefs he has done.

The summit gained, behold the proud alcove
That crowns it! yet not all its pride secures
The grand retreat from injuries impressed
By rural carvers, who with knives deface
The pannels, leaving an obscure, rude name,
In characters uncouth, and spelt amiss.
So strong the zeal to immortalize himself

Beats in the breast of man, that e'en a few,

Few transient years, won from the abyss abhorred

Of blank oblivion, seem a glorious prize,

And even to a clown. Now roves the eye;

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