Palimpsest: Editorial Theory in the HumanitiesGeorge Bornstein, Ralph G. Williams Distinguished scholars discuss editorial theory and how it is applied across the humanities |
Contents
Introduction | 1 |
From Modernism | 9 |
Polymorphic Polysemic Protean Reliable Electronic Texts | 29 |
Textual Boundaries Authors and Intent 55 | 45 |
Reconstructing | 99 |
The Renaissance and the End of Editing | 121 |
The Case of The Ambassadors and the Textual Condition | 151 |
What Is the Text of a Poem by Yeats? | 167 |
The Case of Joyces | 195 |
Translation and Elucidation of | 227 |
The Grime of the Centuries Is a Pigment of | 257 |
Whose Intent? | 271 |
Translations and Adaptations of Operatic Texts | 285 |
Political | 305 |
Contributors | 317 |
Other editions - View all
Palimpsest: Editorial Theory in the Humanities George Bornstein,Ralph G. Williams No preview available - 1993 |
Common terms and phrases
ancient annotations apparatus authorial intention Bible bibliographic code canon century chapel classical collation complex composition concept context continuous manuscript text copy-text editing critical and synoptic critical edition cultural discussion dittography document edited text edition's editorial theory editors electronic texts emendation essay example fact fair copy Frankenstein Franklin French frescoes Gabler Hebrew images important interpretation intertextual Italian James James Joyce Jerome McGann Joyce's key words King King's letters literary theory literature Mary Shelley Mary Wollstonecraft Shelley material meaning Michelangelo Michelangelo's Middleton modern modernist novel opera original Oxford palimpsest papers poem poetry postmodernist printed problem produce published question Qumran readers Renaissance revisions Rossini scholarly editions scholars Shakespeare Shelley's Sistine social Studies in Bibliography synoptic edition Tanselle textual criticism Textual Scholarship Thomas Tanselle tradition translation transmission typescript Ulysses University Press variants verse volume W. B. Yeats W. W. Greg writing Yeats's York