 | William Shakespeare - 1788 - 346 pages
...position, which, while his breath is forming it into .M prds, his understanding pronounces to be false. It is false, that any representation is mistaken for reality ; that any dramatick fable, in its materiality, was ever credible, or, fora single moment, was ever credited.... | |
 | William Shakespeare - 1803 - 494 pages
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for reality; that any dramatick fable in its materiality was ever credible, or, for a single moment, was ever credited. The... | |
 | Samuel Johnson - English literature - 1806 - 376 pages
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for reality ; that any dramatick fable in its materiality was ever credible, or, for a single moment, was ever credited. The... | |
 | William Shakespeare - 1806 - 394 pages
...position, which, while his breath is forming it .into words, his understanding pronounces io be false. It is false, that any representation is mistaken for reality ; that any dramatick fable in its materiality •was ever credible, or, for a single moment, was ever •credited.... | |
 | William Shakespeare - 1809 - 394 pages
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for reality; that any dramatick fable in its materiality was ever credible, or, for a single moment, was ever credited. The... | |
 | William Shakespeare - 1810 - 444 pages
...position, which while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for reality ; that any dramatick fable in its materiality was ever credible, or, for a 'single moment, was ever credited.... | |
 | Samuel Johnson, Arthur Murphy - 1810 - 486 pages
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for reality ; that any dramatick fable in its materiality was ever credible, or, for a single moment, was ever credited. The... | |
 | William Shakespeare - 1811 - 510 pages
...position, which, while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for reality ; that any dramatick fable in its materiality was ever credible, or, for a single moment, was ever credited. The... | |
 | William Shakespeare - 1810 - 436 pages
...position, which while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for reality ; that any dramatick fable in its materiality was ever credible, or, for a single moment, was ever credited. The... | |
 | Francis Wrangham - Great Britain - 1816 - 624 pages
...position which, while his breath is forming it into words, his understanding pronounces to be false. It is false, that any representation is mistaken for reality ; that any dramatic fable in it's materiality was ever credible, or for a single moment was ever credited. ' The objection, arising... | |
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It is false that any / representation is mistaken for reality ; that any dramatick fable in its materiality was ever credible, or, for a single moment, was ever credited. 
