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THE BELL-TOWER.

"Like negroes, these powers own man sullenly; mindful of their higher master; while serving, plot revenge."

"The world is apoplectic with high-living of ambition; and apoplexy has its fall."
"Seeking to conquer a larger liberty, man but extends the empire of necessity."
From a Private MS.

IN
the south of Europe, nigh a once-
frescoed capital, now with dank
mold cankering its bloom, central in
a plain, stands what, at distance, seems
the black mossed stump of some im-
measurable pine, fallen, in forgotten
days, with Anak and the Titan.

As all along where the pine tree falls, its dissolution leaves a mossy mound -last-flung shadow of the perished trunk; never lengthening, never lessening; unsubject to the fleet falsities of the sun; shade immutable and true gauge-so westward from what seems the stump, one steadfast spear of lichened ruin veins the plain.

From that tree-top, when unabased, what birded chimes of silver throats had rung. A stone pine; a metallic aviary in its crown: the Bell-Tower, built by the great mechanician, the unblest foundling, Bannadonna.

Like Babel's, its base was laid in a high hour of renovated earth, following the second deluge, when the waters of the Dark Ages had dried up, and once more the green appeared. No wonder that, after so long and deep submission, the jubilant expectation of the race should, as with Noah's sons, soar into Shinar aspiration.

In firm resolve, no man in Europe at that period went beyond Bannadonna. Enriched through commerce with the Levant, the state in which he lived voted to have the noblest Bell-Tower in Italy. His repute assigned him to be architect.

Stone by stone, month by month, the tower rose. Higher, higher; snail-like in pace, but like torch or mountain rocket in its pride.

After the masons had departed, the builder, standing alone upon its ever-ascending summit, at close of every day saw that he overtopped still higher walls and trees. He would tarry till a late hour there, wrapped in schemes of other and still loftier piles. Those who of saints' days thronged the spot-hanging to the rude poles of scaffolding, like sailors on yards, or bees on

boughs, unmindful of lime and dust, and falling chips of stone-their homage not the less inspired him to self-esteem.

At length the holiday of the Tower came. To the sound of viols, the climax-stone slowly rose in the air, and, amid the firing of ordnance, was laid by Bannadonna's hands upon the final course. Then mounting it, he stood erect, alone, with folded arms; gazing upon the white summits of blue inland Alps, and whiter crests of bluer Alps off-shore-sights invisible from the plain. Invisible, too, from thence was that eye he turned below, when, like the cannon booms, came up to him the people's combustions of applause.

That which stirred them so was, seeing with what serenity the builder stood three hundred feet in air, upon an unrailed perch. This none but he durst do. But his periodic standing upon the pile, in each stage of its growth-such discipline had its last result.

Little remained now but the bells. These, in all respects, must correspond with their receptacle.

The minor ones were prosperously cast. A highly enriched one followed, of a singular make, intended for suspension in a manner before unknown. The purpose of this bell, its rotary motion, and connection with the clockwork, also executed at the time, will, in the sequel, receive mention.

In the one erection, bell-tower and clock-tower were united, though, before that period, such structures, had commonly been built distinct; as the Campanile and Torre del 'Orologio of St. Mark to this day attest.

But it was upon the great state-bell that the founder lavished his more daring skill. In vain did some of the less elated magistrates here caution him; saying that though truly the tower was Titanic, yet limit should be set to the dependent weight of its swaying masses. But undeterred, he prepared his mammouth mold, dented with mythological devices; kindled his fires of balsamic firs; melted his tin and copper; and

throwing in much plate, contributed by the public spirit of the nobles, let loose the tide.

The unleashed metals bayed like hounds. The workmen shrunk. Through their fright, fatal harm to the bell was dreaded. Fearless as Shadrach, Bannadonna, rushing through the glow, smote the chief culprit with his ponderous ladle. From the smitten part, a splinter was dashed into the seething mass, and at once was melted in.

Next day a portion of the work was heedfully uncovered. All seemed right. Upon the third morning, with equal satisfaction, it was bared still lower. At length, like some old Theban king, the whole cooled casting was disinterred. All was fair except in one strange spot. But as he suffered no one to attend him in these inspections, he concealed the blemish by some preparation which none knew better to devise.

The casting of such a mass was deemed no small triumph for the caster; one, too, in which the state might not scorn to share. The homicide was overlooked. By the charitable that deed was but imputed to sudden transports of esthetic passion, not to any flagitious quality. A kick from an Arabian charger: not sign of vice, but blood.

His felony remitted by the judge, absolution given him by the priest, what more could even a sickly conscience have desired!

Honoring the tower and its builder with another holiday, the republic witnessed the hoisting of the bells and clock-work amid shows and pomps su perior to the former.

Some months of more than usual solitude on Bannadonna's part ensued. It was not unknown that he was engaged upon something for the belfry, intended to complete it, and surpass all that had gone before. Most people imagined that the design would involve a casting like the bells. But those who thought they had some further insight, would shake their heads, with hints, that not for nothing did the mechanician keep so secret. Meantime, his seclusion failed not to invest his work with more or less of that sort of mystery pertaining to the forbidden.

Ere long he had a heavy object hoisted to the belfry, wrapped in a dark sack or cloak; a procedure sometimes had in the case of an elaborate piece of sculpture, or statue, which, being intended to

grace the front of a new edifice, the architect does not desire exposed to critical eyes, till set up, finished, in its appointed place. Such was the impression now. But, as the object rose, a statuary present observed, or thought he did, that it was not entirely rigid, but was, in a manner, pliant. At last, when the hidden thing had attained its final hight, and, obscurely seen from below, seemed almost of itself to step into the belfry, as if with little assistance from the crane, a shrewd old blacksmith present ventured the suspicion that it was but a living man. This surmise was thought a foolish one, while the general interest failed not to aug

ment.

Not without demur from Bannadonna, the chief-magistrate of the town, with an associate-both elderly men-followed what seemed the image up the tower. But, arrived at the belfry, they had little compense. Plausibly entrenching himself behind the concealed mysteries of his art, the mechanician withheld present explanation. The magistrates glanced toward the cloaked object, which, to their surprise, seemed now to have changed its attitude, or else had before been more perplexingly concealed by the violent muffling action of the wind without. It seemed now seated upon some sort of frame, or chair, contained within the domino. They observed that nigh the top, in a sort of square, the web of the cloth, either from accident or design, had its warp partly withdrawn, and the cross-threads plucked out here and there, so as to form a sort of woven grating. Whether it were the low wind or no, stealing through the stone lattice-work, or only their own perturbed imaginations, is uncertain, but they thought they discerned a slight sort of fitful, spring-like motion, in the domino. Nothing, however, incidental or insignificant escaped their uneasy eyes. Among other things, they pried out, in a corner, an earthen cup, partly corroded and partly encrusted, and one whispered to the other, that this cup was just such a one as might, in mockery, be offered to the lips of some brazen statue, or, perhaps, still

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added, that it had got into the belfry by the merest chance.

Again, and again, they gazed at the domino, as at some suspicious incognito at a Venetian mask. All sorts of vague apprehensions stirred them. They even dreaded lest, when they should descend, the mechanician, though without a flesh and blood companion, for all that, would not be left alone.

Affecting some merriment at their disquietude, he begged to relieve them, by extending a coarse sheet of workman's canvas between them and the object.

Meantime he sought to interest them in his other work; nor, now that the domino was out of sight, did they long remain insensible to the artistic wonders lying round them; wonders hitherto beheld but in their unfinished state; because, since hoisting the bells, none but the caster had entered within the belfry. It was one trait of his, that, even in details, he would not let another do what he could, without too great loss of time, accomplish for himself. So, for several preceding weeks, whatever hours were unemployed in his secret design, had been devoted to elaborating the figures on the bells.

The clock-bell, in particular, now drew attention. Under a patient chisel, the latent beauty of its enrichments, before obscured by the cloudings incident to casting that beauty in its shyest grace, was now revealed. Round and round the bell, twelve figures of gay girls, garlanded, hand-in-hand, danced in a choral ring-the embodied hours.

"Bannadonna," said the chief, "this bell excels all else. No added touch could here improve. Hark!" hearing a sound, "was that the wind?"

"The wind, Excellenza," was the light response. "But the figures, they are not yet without their faults. They need some touches yet. When those are given, and the block yonder," pointing towards the canvas

screen,

when Haman there, as I merrily call him,-him? it, I mean- - when Haman is fixed on this, his lofty tree, then, gentlemen, will I be most happy to receive you here again."

The equivocal reference to the object caused some return of restlessness. However, on their part, the visitors forbore further allusion to it, unwilling, perhaps, to let the foundling see how

easily it lay within his plebeian art to stir the placid dignity of nobles.

"Well, Bannadonna," said the chief, "how long ere you are ready to set the clock going, so that the hour shall be sounded? Our interest in you, not less than in the work itself, makes us anxious to be assured of your success. The people, too,-why, they are shouting now. Say the exact hour when you will be ready."

"To-morrow, Excellenza, if you listen for it, or should you not, all the same-strange music will be heard. The stroke of one shall be the first from yonder bell," pointing to the bell adorned with girls and garlands, "that stroke shall fall there, where the hand of Unas clasps Duas. The stroke of one shall sever that loved clasp. Tomorrow, then, at one o'clock, as struck here, precisely here," advancing and placing his finger upon the clasp, "the poor mechanic will be most happy once more to give you liege audience, in this his littered shop. Farewell till then, illustrious magnificoes, and hark ye for your vassal's stroke."

His still, Vulcanic face hiding its burning brightness like a forge, he moved with ostentatious deference towards the scuttle, as if so far to escort their exit. But the junior magistrate, a kind hearted man, troubled at what seemed to him a certain sardonical disdain, lurking beneath the foundling's humble mien, and in Christian sympathy more distressed at it on his account than on his own, dimly surmising what might be the final fate of such a cynic solitaire, nor perhaps uninfluenced by the general strangeness of surrounding things, this good magistrate had glanced sadly, sideways from the speaker, and thereupon his foreboding eye had started at the expression of the unchanging face of the Hour Una.

"How is this, Bannadonna ?" he lowly asked, "Una looks unlike her sisters."

"In Christ's name, Bannadonna," impulsively broke in the chief, his attention, for the first time, attracted to the figure, by his associate's remark, "Una's face looks just like that of Deborah, the prophetess, as painted by the Florentine, Del Fonca."

"Surely, Bannadonna," lowly resumed the milder magistrate, " 'you meant the twelve should wear the same jocundly abandoned air. But see, the

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