Art

aesthetic judgments aesthetic significance appreciation architecture art and religion artist become believe better Byzantine Byzantine art Cézanne Christian slope Cimabue Classical Renaissance CLIVE BELL contemporary movement create forms creation criticism culture Duccio ecstasy emotion felt emotional significance Europe exaltation existence express fact feel G. E. Moore Gallery genius Giotto give Gothic architecture history of art human hypothesis ideas imagine imitation Impressionism Impressionists inspiration intellectual irrelevant lines and colours live manifestation Masaccio matter means ment mind move museums never nineteenth century Paddington Station painters painting particular passion physical universe picture pleasure Post-Impressionism Post-Impressionist primitive Principia Ethica produced provoke aesthetic emotion pure form Ravenna realise reality recognise religious Roger Fry Romanesque sculpture seems sense sensibility significance of form simplification society spiritual suggest sure taste theory things three-dimensional space tion tradition visual art Whistler