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INTRODUCTO man INTRODUCTION by Harold Clurman
The Method Itself
Some Attitudes toward the Method
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able acting actors actual answer artist attitude audience beautiful become called character chart clear comes complete course create dance deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole