Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 9
Later I realized that what they were referring to was a Stanislavski term which , in
the Group Theatre days , we called “ affective memory . ” I will attempt to define
this specifically for you bye - and - bye . But let me tell you first of my earliest ...
Later I realized that what they were referring to was a Stanislavski term which , in
the Group Theatre days , we called “ affective memory . ” I will attempt to define
this specifically for you bye - and - bye . But let me tell you first of my earliest ...
Page 15
Then , in the early thirties , some of these people , and others , started the Group
Theatre . That theatre went on for ten years and its actors studied with Strasberg
and Harold Clurman . Those actors developed into teachers who then formed a ...
Then , in the early thirties , some of these people , and others , started the Group
Theatre . That theatre went on for ten years and its actors studied with Strasberg
and Harold Clurman . Those actors developed into teachers who then formed a ...
Page 54
And to his Group Theatre visitors in 1934 , he said , " If the System doesn ' t help
you , forget it . ” Then he added , “ But perhaps you do not use it properly . ” Even
at the end , when he was dying , he was experimenting in his idea of tempo ...
And to his Group Theatre visitors in 1934 , he said , " If the System doesn ' t help
you , forget it . ” Then he added , “ But perhaps you do not use it properly . ” Even
at the end , when he was dying , he was experimenting in his idea of tempo ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing fact feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never once particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |