Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 32
... Hamlet : the circum- stances that exist before Hamlet's part begins are that his father , whom he adored , has died and his mother has mar- ried Hamlet's uncle shortly thereafter . In his first scene he sets about finding out something ...
... Hamlet : the circum- stances that exist before Hamlet's part begins are that his father , whom he adored , has died and his mother has mar- ried Hamlet's uncle shortly thereafter . In his first scene he sets about finding out something ...
Page 152
... Hamlet . Stanislavski had pin- pointed the problem of poetic drama we have discussed by saying to the actors , " In Hamlet you are given great feeling to portray and great words to speak . " He then got together with Craig , who was to ...
... Hamlet . Stanislavski had pin- pointed the problem of poetic drama we have discussed by saying to the actors , " In Hamlet you are given great feeling to portray and great words to speak . " He then got together with Craig , who was to ...
Page 157
... Hamlet , is not very gifted , so this n order to single him out - it's common through all the passages where Hamlet is s is not any specific company . What I mean ity to single out the essential with two c and to pass lightly what is ...
... Hamlet , is not very gifted , so this n order to single him out - it's common through all the passages where Hamlet is s is not any specific company . What I mean ity to single out the essential with two c and to pass lightly what is ...
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Common terms and phrases
accent acting Actor or artist Actor Prepares actress actual attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume course create dance dancer director Duse elements emotion everything example FĂ©lia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happen hear idea imagination inner intentions Jeanne Eagels John Barrymore Laurette Taylor LECTURE Lewis listen look mean ment Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement naturally Nina Koshetz Ophelia Pauline Viardot pauses performance person phony poetic theatre possible problem production props rehearsal remember rhythm Salvini scene sense of truth Shakespeare singing speaking specific speech spine stage Stanislavski Stanislavski system started studied style talk technique tell tempo tempo-rhythm theatrical there's thing tion Tommaso Salvini tonight trying understand voice walked week whole play words