Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 4
... Method " I thought I'd give eight more lectures on it ! Not that I simply want to add more talking : it's just that ... Method is the only answer to truthful acting . ” Yet I know of great actors who are completely unaware of it : and I ...
... Method " I thought I'd give eight more lectures on it ! Not that I simply want to add more talking : it's just that ... Method is the only answer to truthful acting . ” Yet I know of great actors who are completely unaware of it : and I ...
Page 6
... Method , the talk is often very bitter and personal - not properly polemical as it should be . One hears , for example , rumors of producers and directors who are reported to employ only " Method actors , " and of other producers and ...
... Method , the talk is often very bitter and personal - not properly polemical as it should be . One hears , for example , rumors of producers and directors who are reported to employ only " Method actors , " and of other producers and ...
Page 63
... Method actors who mumble ; examples of actors who do not Stanislavski's aims and who , no m think , I know you would agree ha The same canard is spread aro is : you can't sing if you have real f voice , your production . Yet the in ...
... Method actors who mumble ; examples of actors who do not Stanislavski's aims and who , no m think , I know you would agree ha The same canard is spread aro is : you can't sing if you have real f voice , your production . Yet the in ...
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Common terms and phrases
accent acting Actor or artist Actor Prepares actress actual attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume course create dance dancer director Duse elements emotion everything example Félia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happen hear idea imagination inner intentions Jeanne Eagels John Barrymore Laurette Taylor LECTURE Lewis listen look mean ment Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement naturally Nina Koshetz Ophelia Pauline Viardot pauses performance person phony poetic theatre possible problem production props rehearsal remember rhythm Salvini scene sense of truth Shakespeare singing speaking specific speech spine stage Stanislavski Stanislavski system started studied style talk technique tell tempo tempo-rhythm theatrical there's thing tion Tommaso Salvini tonight trying understand voice walked week whole play words