Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
From inside the book
Results 1-3 of 8
Page 7
... Prepares and Building a Character . They have only to read the two volumes ; everything's in there ; and there are loads of other books on the subject . The feeling of secrecy may come from two sources . First , it may come from the ...
... Prepares and Building a Character . They have only to read the two volumes ; everything's in there ; and there are loads of other books on the subject . The feeling of secrecy may come from two sources . First , it may come from the ...
Page 26
... Prepares , for example , that " Action " is called " Objective , " etc. ) Eleven is " Action itself ; " Twelve- " Magic If ; " Thirteen- " Given circumstances ; " Fourteen- " Beats ; " Fifteen- " Problems ( the choice of little actions ...
... Prepares , for example , that " Action " is called " Objective , " etc. ) Eleven is " Action itself ; " Twelve- " Magic If ; " Thirteen- " Given circumstances ; " Fourteen- " Beats ; " Fifteen- " Problems ( the choice of little actions ...
Page 92
... Prepares to the detriment of Creating a Character ? ) Why ? I keep thinking about it all the time because I've been reading to you out of that second book for several weeks now and it denies everything that people complain about in the ...
... Prepares to the detriment of Creating a Character ? ) Why ? I keep thinking about it all the time because I've been reading to you out of that second book for several weeks now and it denies everything that people complain about in the ...
Other editions - View all
Common terms and phrases
accent acting Actor or artist Actor Prepares actress actual attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume course create dance dancer director Duse elements emotion everything example FĂ©lia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happen hear idea imagination inner intentions Jeanne Eagels John Barrymore Laurette Taylor LECTURE Lewis listen look mean ment Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement naturally Nina Koshetz Ophelia Pauline Viardot pauses performance person phony poetic theatre possible problem production props rehearsal remember rhythm Salvini scene sense of truth Shakespeare singing speaking specific speech spine stage Stanislavski Stanislavski system started studied style talk technique tell tempo tempo-rhythm theatrical there's thing tion Tommaso Salvini tonight trying understand voice walked week whole play words