Method--or madness?: With an introd. by Harold Clurman |
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Page 36
Stanislavski tried to work this out so that it can be used as material by the creative
actor. Of course a great deal of the nonsense that used to be spoken about the
Group Theatre in the thirties came from this particular item. It's dangerous territory
...
Stanislavski tried to work this out so that it can be used as material by the creative
actor. Of course a great deal of the nonsense that used to be spoken about the
Group Theatre in the thirties came from this particular item. It's dangerous territory
...
Page 54
Stanislavski was always searching, always changing, and he said, "It is not my
system. I did not invent anything. I am simply trying to put down something which
is based on the laws of creation." He religiously studied those laws in his own ...
Stanislavski was always searching, always changing, and he said, "It is not my
system. I did not invent anything. I am simply trying to put down something which
is based on the laws of creation." He religiously studied those laws in his own ...
Page 152
This remarkable document is a conversation in 1909 between Stanislavski and
Gordon Craig. Craig, as you know, was invited to Moscow to design the Moscow
Art Theatre production of Hamlet. Stanislavski had pinpointed the problem of ...
This remarkable document is a conversation in 1909 between Stanislavski and
Gordon Craig. Craig, as you know, was invited to Moscow to design the Moscow
Art Theatre production of Hamlet. Stanislavski had pinpointed the problem of ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Felia Litvinne felt girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention Jeanne Eagels John Barrymore kind Laurette Taylor lecture listen look means meant ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production props psychological rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words
Bibliographic information
| Title | Method--or madness?: With an introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Length | 165 pages |
| Subjects | › Acting Method (Acting) Method acting Performing Arts / Acting & Auditioning Stanislavsky method |
| Export Citation | BiBTeX EndNote RefMan |