Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 14
... Method itself . We ought to know something about that . Because just as ... method of singing . This is a modern binding I had put on it for protection ... Stanislavski method dates from the end of the last century when Salvini and ...
... Method itself . We ought to know something about that . Because just as ... method of singing . This is a modern binding I had put on it for protection ... Stanislavski method dates from the end of the last century when Salvini and ...
Page 53
... Stanislavski system . It is all to study and to use when , and would now like to go on to son this Method . First , let's take Stanislavski's Method , to which he devoted hi a letter I received this week an a what you've said so far of ...
... Stanislavski system . It is all to study and to use when , and would now like to go on to son this Method . First , let's take Stanislavski's Method , to which he devoted hi a letter I received this week an a what you've said so far of ...
Page 105
... Stanislavski Method use it for the development of certain aspects of acting rather than for understanding and growth of artistry ? Actor or artist ? I looked both up in the dictionary and under " actor " it said , " theatrical performer ...
... Stanislavski Method use it for the development of certain aspects of acting rather than for understanding and growth of artistry ? Actor or artist ? I looked both up in the dictionary and under " actor " it said , " theatrical performer ...
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Common terms and phrases
accent acting Actor or artist Actor Prepares actress actual attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume course create dance dancer director Duse elements emotion everything example FĂ©lia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happen hear idea imagination inner intentions Jeanne Eagels John Barrymore Laurette Taylor LECTURE Lewis listen look mean ment Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement naturally Nina Koshetz Ophelia Pauline Viardot pauses performance person phony poetic theatre possible problem production props rehearsal remember rhythm Salvini scene sense of truth Shakespeare singing speaking specific speech spine stage Stanislavski Stanislavski system started studied style talk technique tell tempo tempo-rhythm theatrical there's thing tion Tommaso Salvini tonight trying understand voice walked week whole play words