Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 42
Acting training should include the development of our sense of time and sense of rhythm . It gets pretty tough in rehearsals when the point of the scene hangs on an actor's having a sense of rhythm and being able to come in ...
Acting training should include the development of our sense of time and sense of rhythm . It gets pretty tough in rehearsals when the point of the scene hangs on an actor's having a sense of rhythm and being able to come in ...
Page 146
You ought to be able to mark your script in that way so that you can always keep the sections clear and know just where they begin and end . Incidentally , I love to give titles to whole passages in my director's script - like “ The ...
You ought to be able to mark your script in that way so that you can always keep the sections clear and know just where they begin and end . Incidentally , I love to give titles to whole passages in my director's script - like “ The ...
Page 158
I think she might be able to manage this task . Nevertheless , I should very much like this to go off almost without movement . After all , there is no action here , only conversation . S : And what is Laertes to do when he has to exit ...
I think she might be able to manage this task . Nevertheless , I should very much like this to go off almost without movement . After all , there is no action here , only conversation . S : And what is Laertes to do when he has to exit ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole