Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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One swallow of this new medicine three times a day — after shaking the student well — and " hey , prestol ” you have a marvellous actor , an artist , perhaps even a genius . The reader may have noticed that I called the Method a ...
One swallow of this new medicine three times a day — after shaking the student well — and " hey , prestol ” you have a marvellous actor , an artist , perhaps even a genius . The reader may have noticed that I called the Method a ...
Page 9
Next : Actor or artist ? Does the manner in which various practitioners work on the Method aim too often at training certain limited specific elements of acting rather than at developing good artists ? In this section I will also ...
Next : Actor or artist ? Does the manner in which various practitioners work on the Method aim too often at training certain limited specific elements of acting rather than at developing good artists ? In this section I will also ...
Page 87
FIFTH LECTURE : “ Truth ” in Acting What is truth ? Now this is a hot subject . Naturally , I mean what is truth in acting . If you remember , when I promised in the first talk to get to this point , I said I felt there were more crimes ...
FIFTH LECTURE : “ Truth ” in Acting What is truth ? Now this is a hot subject . Naturally , I mean what is truth in acting . If you remember , when I promised in the first talk to get to this point , I said I felt there were more crimes ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole