Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
From inside the book
Results 1-3 of 85
Page 4
For example , I've been hearing , “ The Method is the only answer to truthful acting . " Yet I know of great actors who are completely unaware of it : and I know of other great actors who are aware of it and violently opposed to it .
For example , I've been hearing , “ The Method is the only answer to truthful acting . " Yet I know of great actors who are completely unaware of it : and I know of other great actors who are aware of it and violently opposed to it .
Page 15
a acting ; he felt something was wrong , unsatisfactory . He studied these great actors and attempted to put down what he learned from them . He had a studio in which he tried to work out these ideas ; you would recognize the names of ...
a acting ; he felt something was wrong , unsatisfactory . He studied these great actors and attempted to put down what he learned from them . He had a studio in which he tried to work out these ideas ; you would recognize the names of ...
Page 74
ice across the stage , to have the actors walking around as though they were in a fog , for the actors to " think foggily , ” or something , it remains so much talk . Those artists , then , who make a fetish of the Method , should know ...
ice across the stage , to have the actors walking around as though they were in a fog , for the actors to " think foggily , ” or something , it remains so much talk . Those artists , then , who make a fetish of the Method , should know ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
Other editions - View all
Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole