Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 4
... actors who are completely unaware of it : and I know of other great actors who are aware of it and violently opposed to it . Then again I hear , " The Method is a curse , it is ruining the theatre . " Yet I know of great actors who , I ...
... actors who are completely unaware of it : and I know of other great actors who are aware of it and violently opposed to it . Then again I hear , " The Method is a curse , it is ruining the theatre . " Yet I know of great actors who , I ...
Page 15
... actors studied with Strasberg Those actors developed into teach a studio and taught other actors . I Meisner , Elia Kazan and I taught . come half a century already - Kaz and I started the Actors ' Studio w was there just the first year ...
... actors studied with Strasberg Those actors developed into teach a studio and taught other actors . I Meisner , Elia Kazan and I taught . come half a century already - Kaz and I started the Actors ' Studio w was there just the first year ...
Page 57
... actors over the years , have found that emotion is not necessarily the biggest problem . If I have chosen my actors carefully and everything else has been prepared , I usually find the actors are " feeling " correctly . And how some actors ...
... actors over the years , have found that emotion is not necessarily the biggest problem . If I have chosen my actors carefully and everything else has been prepared , I usually find the actors are " feeling " correctly . And how some actors ...
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Common terms and phrases
accent acting Actor or artist Actor Prepares actress actual attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume course create dance dancer director Duse elements emotion everything example FĂ©lia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happen hear idea imagination inner intentions Jeanne Eagels John Barrymore Laurette Taylor LECTURE Lewis listen look mean ment Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement naturally Nina Koshetz Ophelia Pauline Viardot pauses performance person phony poetic theatre possible problem production props rehearsal remember rhythm Salvini scene sense of truth Shakespeare singing speaking specific speech spine stage Stanislavski Stanislavski system started studied style talk technique tell tempo tempo-rhythm theatrical there's thing tion Tommaso Salvini tonight trying understand voice walked week whole play words