Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 101
... artist who studies his material and chooses his ele- ments correctly to create with . And I want to tell you the artist's way of working is very often agonizing and not at all comfortable . The whole , all - too - prevalent idea of the ...
... artist who studies his material and chooses his ele- ments correctly to create with . And I want to tell you the artist's way of working is very often agonizing and not at all comfortable . The whole , all - too - prevalent idea of the ...
Page 102
... artist ! Imagination is the material that artists work with . Truth must not be made into a static , stultifying thing . In art , truth should be the search for truth . SIXTH LECTURE MAY 20 , 1957 ACTORS OR ARTISTS ? 102.
... artist ! Imagination is the material that artists work with . Truth must not be made into a static , stultifying thing . In art , truth should be the search for truth . SIXTH LECTURE MAY 20 , 1957 ACTORS OR ARTISTS ? 102.
Page 105
... artist " and it said , " one who professes and practices an art in which conception and execution are governed by imagination and taste . " As far as we are here concerned , in a definition of an artist , I would like to add ( after con ...
... artist " and it said , " one who professes and practices an art in which conception and execution are governed by imagination and taste . " As far as we are here concerned , in a definition of an artist , I would like to add ( after con ...
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Common terms and phrases
accent acting Actor or artist Actor Prepares actress actual attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume course create dance dancer director Duse elements emotion everything example Félia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happen hear idea imagination inner intentions Jeanne Eagels John Barrymore Laurette Taylor LECTURE Lewis listen look mean ment Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement naturally Nina Koshetz Ophelia Pauline Viardot pauses performance person phony poetic theatre possible problem production props rehearsal remember rhythm Salvini scene sense of truth Shakespeare singing speaking specific speech spine stage Stanislavski Stanislavski system started studied style talk technique tell tempo tempo-rhythm theatrical there's thing tion Tommaso Salvini tonight trying understand voice walked week whole play words