Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 16
... called " verfremdung . " That's all I'm going to tell you about it — we're mixed up enough already ! However , Brecht's company has only recently made a wonderfully interesting impression , using the theories of Mr. Brecht , in their ...
... called " verfremdung . " That's all I'm going to tell you about it — we're mixed up enough already ! However , Brecht's company has only recently made a wonderfully interesting impression , using the theories of Mr. Brecht , in their ...
Page 26
... called “ The three motors of our psychic life : The three musicians who play the organ pipes 11-40 . They are Mind , Will and Emotion . " Mind is the least capricious ; Will is less capricious ; and Emotion is the most capricious ...
... called “ The three motors of our psychic life : The three musicians who play the organ pipes 11-40 . They are Mind , Will and Emotion . " Mind is the least capricious ; Will is less capricious ; and Emotion is the most capricious ...
Page 27
... called " the Transaction " and whi equals " B , " called here the " Spine " the Super - objective ) . T Now , all of these pipes on the le complete internal , inner feeling- . L A side , 28-40 , leading up to the.
... called " the Transaction " and whi equals " B , " called here the " Spine " the Super - objective ) . T Now , all of these pipes on the le complete internal , inner feeling- . L A side , 28-40 , leading up to the.
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Common terms and phrases
accent acting Actor or artist Actor Prepares actress actual attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume course create dance dancer director Duse elements emotion everything example Félia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happen hear idea imagination inner intentions Jeanne Eagels John Barrymore Laurette Taylor LECTURE Lewis listen look mean ment Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement naturally Nina Koshetz Ophelia Pauline Viardot pauses performance person phony poetic theatre possible problem production props rehearsal remember rhythm Salvini scene sense of truth Shakespeare singing speaking specific speech spine stage Stanislavski Stanislavski system started studied style talk technique tell tempo tempo-rhythm theatrical there's thing tion Tommaso Salvini tonight trying understand voice walked week whole play words