Method--or madness?: With an introd. by Harold Clurman |
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Page 16
This technique of "distancing" the action is called "verfremdung." That's all I'm
going to tell you about it — we're mixed up enough already! However, Brecht's
company has only recently made a wonderfully interesting impression, using the
...
This technique of "distancing" the action is called "verfremdung." That's all I'm
going to tell you about it — we're mixed up enough already! However, Brecht's
company has only recently made a wonderfully interesting impression, using the
...
Page 26
Six and Seven are divided equally across the page: Six says, "The process of
feeling (internally);" Seven — "The process of expressing your emotion." Eight,
Nine and Ten, equally divided into three parts, are what he called "The three
motors ...
Six and Seven are divided equally across the page: Six says, "The process of
feeling (internally);" Seven — "The process of expressing your emotion." Eight,
Nine and Ten, equally divided into three parts, are what he called "The three
motors ...
Page 29
Eight, Nine and Ten, "the three motors of our Psychic life," as they are rather
floridly called here, are Mind, Will and Feeling (Emotion). The first gives us the
ideas and the understanding, the second gives us the power to execute our
wishes, ...
Eight, Nine and Ten, "the three motors of our Psychic life," as they are rather
floridly called here, are Mind, Will and Feeling (Emotion). The first gives us the
ideas and the understanding, the second gives us the power to execute our
wishes, ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Felia Litvinne felt girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention Jeanne Eagels John Barrymore kind Laurette Taylor lecture listen look means meant ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production props psychological rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words
Bibliographic information
| Title | Method--or madness?: With an introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Length | 165 pages |
| Subjects | › Acting Method (Acting) Method acting Performing Arts / Acting & Auditioning Stanislavsky method |
| Export Citation | BiBTeX EndNote RefMan |