Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 16
This technique of “ distancing ” the action is called “ verfremdung . ” That's all I'm going to tell you about it - we're mixed up enough already ! However , Brecht's company has only recently made a wonderfully interesting impression ...
This technique of “ distancing ” the action is called “ verfremdung . ” That's all I'm going to tell you about it - we're mixed up enough already ! However , Brecht's company has only recently made a wonderfully interesting impression ...
Page 26
Eight , Nine and Ten , equally divided into three parts , are what he called “ The three motors of our psychic life : The three musicians who play the organ pipes 11-40 .
Eight , Nine and Ten , equally divided into three parts , are what he called “ The three motors of our psychic life : The three musicians who play the organ pipes 11-40 .
Page 29
Eight , Nine and Ten , “ the three motors of our Psychic life , as they are rather floridly called here , are Mind , Will and Feeling ( Emotion ) . The first gives us the ideas and the understanding , the second gives us the power to ...
Eight , Nine and Ten , “ the three motors of our Psychic life , as they are rather floridly called here , are Mind , Will and Feeling ( Emotion ) . The first gives us the ideas and the understanding , the second gives us the power to ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |