Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 56
In his stage acting Michael Chekhov embodied the “ Complete Internal ” plus the “ Complete External ” outlined in the Method chart , yet he was reticent to call himself a Stanislavski authority . We should emulate this attitude by ...
In his stage acting Michael Chekhov embodied the “ Complete Internal ” plus the “ Complete External ” outlined in the Method chart , yet he was reticent to call himself a Stanislavski authority . We should emulate this attitude by ...
Page 99
It is the truth that is really experienced , but artis- 1.t tically controlled , and correctly used for the particular feeling character portrayed , the complete circumstances of the scene , and the chosen style of the author and play ...
It is the truth that is really experienced , but artis- 1.t tically controlled , and correctly used for the particular feeling character portrayed , the complete circumstances of the scene , and the chosen style of the author and play ...
Page 117
Her understanding of the woman was complete , her understanding of the play was complete , exactly who all these other people were that she was talking to was fully understood at all times , and what she had to accomplish in each scene ...
Her understanding of the woman was complete , her understanding of the play was complete , exactly who all these other people were that she was talking to was fully understood at all times , and what she had to accomplish in each scene ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole