Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 44
Of course actual dancing can have practical use at times , say , if you are playing
Molière and you are called upon to execute a real dance step . But even failing
anything as specific as that ( you don ' t have to become an accomplished ballet ...
Of course actual dancing can have practical use at times , say , if you are playing
Molière and you are called upon to execute a real dance step . But even failing
anything as specific as that ( you don ' t have to become an accomplished ballet ...
Page 53
Of course , he was criticizing nature ; this was only art that I was working on ! )
The actor finally said to me , “ Why would I sit like that ? It ' s uncomfortable for me
and no one in the world would do it . ” So I said , “ Look . He ' s a dancer - he ' s ...
Of course , he was criticizing nature ; this was only art that I was working on ! )
The actor finally said to me , “ Why would I sit like that ? It ' s uncomfortable for me
and no one in the world would do it . ” So I said , “ Look . He ' s a dancer - he ' s ...
Page 141
Of course this may come from many things that we know about : such as the
whole business of getting the part , of making an impression on the first day , and
of not being thrown out after the probationary five days ; but we can ' t take the
time ...
Of course this may come from many things that we know about : such as the
whole business of getting the part , of making an impression on the first day , and
of not being thrown out after the probationary five days ; but we can ' t take the
time ...
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Contents
INTRODUCTO man INTRODUCTION by Harold Clurman | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
4 other sections not shown
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able acting actors actual answer artist attitude audience beautiful become called character chart clear comes complete course create dance deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |