Method--or Madness?: With an Introd. by Harold Clurman |
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Page 33
e" you are playing either “ given ” by the situation , or created by the actor or
director to enhance the playing . ... when the director requires a certain result for
the scene , the actor might often for profitably create some “ circumstance ” within
the ...
e" you are playing either “ given ” by the situation , or created by the actor or
director to enhance the playing . ... when the director requires a certain result for
the scene , the actor might often for profitably create some “ circumstance ” within
the ...
Page 51
There are two aspects to the way techniques are applied : the " unconscious
guide ” ( mentioned before ) as you create on the stage , and the conscious study
in workshops or in learning a part . This is as true for the director as for the actor .
There are two aspects to the way techniques are applied : the " unconscious
guide ” ( mentioned before ) as you create on the stage , and the conscious study
in workshops or in learning a part . This is as true for the director as for the actor .
Page 116
But , if it is broken up into clear sections in which you have downbeats , etc . , as
in music , you then have the rhythm and dynamics which create an artistic pattern
. I give this example from Teahouse to show that there is nothing incompatible ...
But , if it is broken up into clear sections in which you have downbeats , etc . , as
in music , you then have the rhythm and dynamics which create an artistic pattern
. I give this example from Teahouse to show that there is nothing incompatible ...
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Contents
INTRODUCTO man INTRODUCTION by Harold Clurman | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create dance dancer deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never once particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |