Method--or madness?: With an introd. by Harold Clurman |
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Page 33
Instead of standing around in rehearsal moaning, "I don't feel it," when the
director re- . quires a certain result for the scene, the actor might often * -'
profitably create some "circumstance" within the logic of the situation to permit
him to execute ...
Instead of standing around in rehearsal moaning, "I don't feel it," when the
director re- . quires a certain result for the scene, the actor might often * -'
profitably create some "circumstance" within the logic of the situation to permit
him to execute ...
Page 51
There are two aspects to the way techniques are applied: the "unconscious guide
" (mentioned before) as you create on the stage, and the conscious study in
workshops or in learning a part. This is as true for the director as for the actor.
There are two aspects to the way techniques are applied: the "unconscious guide
" (mentioned before) as you create on the stage, and the conscious study in
workshops or in learning a part. This is as true for the director as for the actor.
Page 116
But, if it is broken up into clear sections in which you have downbeats, etc., as in
music, you then have the rhythm and dynamics which create an artistic pattern. I
give this example from Teahouse to show that there is nothing incompatible with
...
But, if it is broken up into clear sections in which you have downbeats, etc., as in
music, you then have the rhythm and dynamics which create an artistic pattern. I
give this example from Teahouse to show that there is nothing incompatible with
...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
Other editions - View all
Common terms and phrases
acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Felia Litvinne felt girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention Jeanne Eagels John Barrymore kind Laurette Taylor lecture listen look means meant ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production props psychological rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words
Bibliographic information
| Title | Method--or madness?: With an introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Length | 165 pages |
| Subjects | › Acting Method (Acting) Method acting Performing Arts / Acting & Auditioning Stanislavsky method |
| Export Citation | BiBTeX EndNote RefMan |