Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 33
you are playing either “ given ” by the situation , or created by the actor or director to enhance the playing . ... the actor might often profitably create some “ circumstance ” within the logic of the situation to permit him to ...
you are playing either “ given ” by the situation , or created by the actor or director to enhance the playing . ... the actor might often profitably create some “ circumstance ” within the logic of the situation to permit him to ...
Page 51
There are two aspects to the way techniques are applied : the " unconscious guide ” ( mentioned before ) as you create on the stage , and the conscious study in workshops or in learning a part . This is as true for the director as for ...
There are two aspects to the way techniques are applied : the " unconscious guide ” ( mentioned before ) as you create on the stage , and the conscious study in workshops or in learning a part . This is as true for the director as for ...
Page 116
But , if it is broken up into clear sections in which you have downbeats , etc. , as in music , you then have the rhythm and dynamics which create an artistic pattern . I give this example from Teahouse to show that there is nothing ...
But , if it is broken up into clear sections in which you have downbeats , etc. , as in music , you then have the rhythm and dynamics which create an artistic pattern . I give this example from Teahouse to show that there is nothing ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |