Method--or Madness?: With an Introd. by Harold Clurman |
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Page 94
You can tell a good deal by an interview , but a reading might reveal something
you can ' t be sure of just by meeting the actor . It is possible to pick up a part and
, without extensive preparation , give an adequate reading . Sometimes , even , a
...
You can tell a good deal by an interview , but a reading might reveal something
you can ' t be sure of just by meeting the actor . It is possible to pick up a part and
, without extensive preparation , give an adequate reading . Sometimes , even , a
...
Page 96
A good deal of our problem now stems from the fact that we have learned a lot
about reflexes and the like which did not enter into the earlier arguments . The
discussion of the basic artistic principle of real vs . simulated feeling , however ,
has ...
A good deal of our problem now stems from the fact that we have learned a lot
about reflexes and the like which did not enter into the earlier arguments . The
discussion of the basic artistic principle of real vs . simulated feeling , however ,
has ...
Page 132
... have to do here is to figure out the best way to deal with him . He ' s sick but
you need action fast because your brothers are about to conclude a deal and you
' ve got to get Horace in on it since you need him to get your share of the deal .
... have to do here is to figure out the best way to deal with him . He ' s sick but
you need action fast because your brothers are about to conclude a deal and you
' ve got to get Horace in on it since you need him to get your share of the deal .
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Contents
INTRODUCTO man INTRODUCTION by Harold Clurman | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create dance dancer deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never once particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |