Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Mr. Lewis directing a scene from Brigadoon , with Agnes de Mille , the show's choreographer . 82 Scene from William Saroyan's My Heart's in the Highlands , as directed by Mr. Lewis . 98 Scene from The Teahouse of the August Moon ...
Mr. Lewis directing a scene from Brigadoon , with Agnes de Mille , the show's choreographer . 82 Scene from William Saroyan's My Heart's in the Highlands , as directed by Mr. Lewis . 98 Scene from The Teahouse of the August Moon ...
Page 17
I have found in my directing that the majority of the self - appointed “ naturals ” who profess no knowledge of any ... ( I once directed I an actor who was like that — a foggy one -- and he used , occasionally , to give some sloppy ...
I have found in my directing that the majority of the self - appointed “ naturals ” who profess no knowledge of any ... ( I once directed I an actor who was like that — a foggy one -- and he used , occasionally , to give some sloppy ...
Page 114
With an Introd. by Harold Clurman Robert Lewis. Scene from The Teahouse of the August Moon , as directed by Mr. Lewis | 1 1 that he was not a formal fellow.
With an Introd. by Harold Clurman Robert Lewis. Scene from The Teahouse of the August Moon , as directed by Mr. Lewis | 1 1 that he was not a formal fellow.
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole