Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page x
... director and the performing company . The Method is technique , a method for the training of the actor so that with experience over the years he may develop a technique for the most complete use of himself as an in- terpreter of parts ...
... director and the performing company . The Method is technique , a method for the training of the actor so that with experience over the years he may develop a technique for the most complete use of himself as an in- terpreter of parts ...
Page 92
... director . I direct something every year and I am constantly faced with somebody saying , “ Please don't tell me how to read it . Don't give me the line read- ing , it will make me phony . ” All in the name of Stanislav- ski's bible and ...
... director . I direct something every year and I am constantly faced with somebody saying , “ Please don't tell me how to read it . Don't give me the line read- ing , it will make me phony . ” All in the name of Stanislav- ski's bible and ...
Page 146
... director's script - like " The Thieves Fall Out " or something equally corny . The titles not only amuse me but they also give me an attitude toward that passage and help me to choose colorful intentions within it . After that breakdown ...
... director's script - like " The Thieves Fall Out " or something equally corny . The titles not only amuse me but they also give me an attitude toward that passage and help me to choose colorful intentions within it . After that breakdown ...
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Common terms and phrases
accent acting Actor or artist Actor Prepares actress actual attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume course create dance dancer director Duse elements emotion everything example Félia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happen hear idea imagination inner intentions Jeanne Eagels John Barrymore Laurette Taylor LECTURE Lewis listen look mean ment Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement naturally Nina Koshetz Ophelia Pauline Viardot pauses performance person phony poetic theatre possible problem production props rehearsal remember rhythm Salvini scene sense of truth Shakespeare singing speaking specific speech spine stage Stanislavski Stanislavski system started studied style talk technique tell tempo tempo-rhythm theatrical there's thing tion Tommaso Salvini tonight trying understand voice walked week whole play words