Method--or Madness?: With an Introd. by Harold Clurman |
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Page 12
The effect that Moissi made was stunningly “ theatrical . ” It was a real physical
thrill . I remember it clearly . I can even hear the sound in my ear to this day . The
effect that Ben - Ami made with different means was , I maintain , theatrical too .
The effect that Moissi made was stunningly “ theatrical . ” It was a real physical
thrill . I remember it clearly . I can even hear the sound in my ear to this day . The
effect that Ben - Ami made with different means was , I maintain , theatrical too .
Page 18
Well , that was the one he knew ofl ) Now I have found that a lot of these “
naturals ” have the most extensive technique for effects , if not for stirring up their
creative juices ; they plan every look , every gesture , every inflection — but
purely ...
Well , that was the one he knew ofl ) Now I have found that a lot of these “
naturals ” have the most extensive technique for effects , if not for stirring up their
creative juices ; they plan every look , every gesture , every inflection — but
purely ...
Page 61
This precision has an irresistible effect . Art requires order , discipline , precision
and finish . Even in cases where one is called upon to convey a rhythmic effect
musically , one must do it with clear - cut finish . Even chaos and disorder have ...
This precision has an irresistible effect . Art requires order , discipline , precision
and finish . Even in cases where one is called upon to convey a rhythmic effect
musically , one must do it with clear - cut finish . Even chaos and disorder have ...
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Contents
INTRODUCTO man INTRODUCTION by Harold Clurman | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create dance dancer deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never once particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |