Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 12
The effect that Moissi made was stunningly “ theatrical . ” It was a real physical thrill . I remember it clearly . I can even hear the sound in my ear to this day . The effect that Ben - Ami made with different means was , I maintain ...
The effect that Moissi made was stunningly “ theatrical . ” It was a real physical thrill . I remember it clearly . I can even hear the sound in my ear to this day . The effect that Ben - Ami made with different means was , I maintain ...
Page 18
Now I have found that a lot of these " naturals ” have the most extensive technique for effects , if not for ... They want to make an effect by having their cues given to them loudly , so that they can reply softly , or given to them ...
Now I have found that a lot of these " naturals ” have the most extensive technique for effects , if not for ... They want to make an effect by having their cues given to them loudly , so that they can reply softly , or given to them ...
Page 61
This precision has an irresistible effect . Art requires order , discipline , precision and finish . Even in cases where one is called upon to convey a rhythmic effect musically , one must do it with clear - cut finish .
This precision has an irresistible effect . Art requires order , discipline , precision and finish . Even in cases where one is called upon to convey a rhythmic effect musically , one must do it with clear - cut finish .
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |