Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 23
Tonight I am going to try to tell you the elements that make up the Stanislavski system . Although I have studied the system and read most of the books on it over the years , my most direct connection with the words of the Master ...
Tonight I am going to try to tell you the elements that make up the Stanislavski system . Although I have studied the system and read most of the books on it over the years , my most direct connection with the words of the Master ...
Page 24
It is , however , the only way that I can try to define correctly for you his terms that one continuously hears bandied about ; also , it is the only way I Ι can point out to you the presence of certain elements which I feel are not ...
It is , however , the only way that I can try to define correctly for you his terms that one continuously hears bandied about ; also , it is the only way I Ι can point out to you the presence of certain elements which I feel are not ...
Page 163
That there are many elements that go into making a truthful moment in the theatre . That the truthful feeling of the actor was one part of it but not the whole truth , and that half - truths are just as untrue in art as they are in life ...
That there are many elements that go into making a truthful moment in the theatre . That the truthful feeling of the actor was one part of it but not the whole truth , and that half - truths are just as untrue in art as they are in life ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
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able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole