Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 9
... elements of acting rather than at developing good artists ? In this section I will also discuss acting as it relates to music , painting and other arts . Fi- nally , the Method in connection with poetic theatre , mu- sicals ...
... elements of acting rather than at developing good artists ? In this section I will also discuss acting as it relates to music , painting and other arts . Fi- nally , the Method in connection with poetic theatre , mu- sicals ...
Page 23
... elements that make up the S though I have studied the system books on it over the years , my most the words of the Master himself c actor in the Group Theatre at the that theatre , Stella Adler and Har Paris , where Stanislavski was ...
... elements that make up the S though I have studied the system books on it over the years , my most the words of the Master himself c actor in the Group Theatre at the that theatre , Stella Adler and Har Paris , where Stanislavski was ...
Page 24
... elements which I feel are not emphasized strongly enough or are totally neglected by various exponents of the Method . I know that I run the risk of confusing some of you who have had no contact at all with the Method . I've thought it ...
... elements which I feel are not emphasized strongly enough or are totally neglected by various exponents of the Method . I know that I run the risk of confusing some of you who have had no contact at all with the Method . I've thought it ...
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Common terms and phrases
accent acting Actor or artist Actor Prepares actress actual attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume course create dance dancer director Duse elements emotion everything example FĂ©lia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happen hear idea imagination inner intentions Jeanne Eagels John Barrymore Laurette Taylor LECTURE Lewis listen look mean ment Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement naturally Nina Koshetz Ophelia Pauline Viardot pauses performance person phony poetic theatre possible problem production props rehearsal remember rhythm Salvini scene sense of truth Shakespeare singing speaking specific speech spine stage Stanislavski Stanislavski system started studied style talk technique tell tempo tempo-rhythm theatrical there's thing tion Tommaso Salvini tonight trying understand voice walked week whole play words