Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 98
Given circumstances do not only mean , for example , that a taxi is waityou outside and therefore you have to hurry through the scene . That is a given circumstance when you come on , that is true . But that is only one application of ...
Given circumstances do not only mean , for example , that a taxi is waityou outside and therefore you have to hurry through the scene . That is a given circumstance when you come on , that is true . But that is only one application of ...
Page 101
We have already had the example of Michael Chekhov in The Deluge , who when he felt he had to let his partner know he really loved him in spite of the way he had fought with him , began digging at his partner's heart , trying to get ...
We have already had the example of Michael Chekhov in The Deluge , who when he felt he had to let his partner know he really loved him in spite of the way he had fought with him , began digging at his partner's heart , trying to get ...
Page 146
For example , on this specific line you first realize she may be lying to you and seven speeches further , on exactly that line , you know you are mistaken , that it couldn't be , not a nice girl like her , and a new intention starts .
For example , on this specific line you first realize she may be lying to you and seven speeches further , on exactly that line , you know you are mistaken , that it couldn't be , not a nice girl like her , and a new intention starts .
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear heard idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |