Method--or Madness?: With an Introd. by Harold Clurman |
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Page 98
Given circumstances do not only mean , for example , that a taxi is waiting for you
outside and therefore you have to hurry through the scene . That is a given
circumstance when you come on , that is true . But that is only one application of
the ...
Given circumstances do not only mean , for example , that a taxi is waiting for you
outside and therefore you have to hurry through the scene . That is a given
circumstance when you come on , that is true . But that is only one application of
the ...
Page 101
We have already had the example of Michael Chekhov in The Deluge , who
when he felt he had to let his partner know he really loved him in spite of the way
he had fought with him , began digging at his partner ' s heart , trying to get inside
...
We have already had the example of Michael Chekhov in The Deluge , who
when he felt he had to let his partner know he really loved him in spite of the way
he had fought with him , began digging at his partner ' s heart , trying to get inside
...
Page 146
For example , on this specific line you first realize she may be lying to you and
seven speeches further , on exactly that line , you know you are mistaken , that it
couldn ' t be , not a nice girl like her , and a new intention starts . Through that ...
For example , on this specific line you first realize she may be lying to you and
seven speeches further , on exactly that line , you know you are mistaken , that it
couldn ' t be , not a nice girl like her , and a new intention starts . Through that ...
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Contents
INTRODUCTO man INTRODUCTION by Harold Clurman | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create dance dancer deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never once particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |