Method--or madness?: With an introd. by Harold Clurman |
From inside the book
Results 1-3 of 43
Page 98
Given circumstances do not only mean, for example, that a taxi is waiting for you
outside and therefore you have to hurry through the scene. That is a given
circumstance when you come on, that is true. But that is only one application of
the ...
Given circumstances do not only mean, for example, that a taxi is waiting for you
outside and therefore you have to hurry through the scene. That is a given
circumstance when you come on, that is true. But that is only one application of
the ...
Page 101
We have already had the example of Michael Chekhov in The Deluge, who when
he felt he had to let his partner know he really loved him in spite of the way he
had fought with him, began digging at his partner's heart, trying to get inside and
...
We have already had the example of Michael Chekhov in The Deluge, who when
he felt he had to let his partner know he really loved him in spite of the way he
had fought with him, began digging at his partner's heart, trying to get inside and
...
Page 146
I don't care by what term you call those thoughts, or intentions, but you should
write them down in some definite way. You should know exactly where each
section begins and ends. For example, on this specific line you first realize she
may be ...
I don't care by what term you call those thoughts, or intentions, but you should
write them down in some definite way. You should know exactly where each
section begins and ends. For example, on this specific line you first realize she
may be ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
Other editions - View all
Common terms and phrases
acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Felia Litvinne felt girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention Jeanne Eagels John Barrymore kind Laurette Taylor lecture listen look means meant ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production props psychological rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words
Bibliographic information
| Title | Method--or madness?: With an introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Length | 165 pages |
| Subjects | › Acting Method (Acting) Method acting Performing Arts / Acting & Auditioning Stanislavsky method |
| Export Citation | BiBTeX EndNote RefMan |